Matrix / Runout (CD1 Variant 13): 538 352-2 00 V 1F Made in France by PMDC Matrix / Runout (CD1 Variant 11): 5383522 02 5 MADE IN THE UK BY UNIVERSAL M&L Matrix / Runout (CD1 Variant 10): 50784304 538352-2 01+ VI MADE IN GERMANY BY PMDC C Matrix / Runout (CD1 Variant 9): 50784304 538352-2 01+ VI MADE IN GERMANY BY PMDC D Matrix / Runout (CD1 Variant 8): 538 352-2 03 + MADE IN GERMANY ‖ R Matrix / Runout (CD1 Variant 7): S 5383522 03 IX Matrix / Runout (CD1 Variant 6): 5383522 02 & IX MADE IN UK BY PMDC Matrix / Runout (CD1 Variant 5): 5383532 02 & VIII MADE IN UK BY PDMC Matrix / Runout (CD1 Variant 4): 5383532 02 & MADE IN UK BY PDMC Matrix / Runout (CD1 Variant 1, 2, 3): 5383522 01 & MADE IN UK BY PDMC Remastered by George Marino at Sterling Sound. In Sausalito, California, in December 1995. Recorded live direct to two-track at The Plant Studios Recorded in 1991 in Los Angeles, California. Roughly produced by Bob Rock with Hetfield and Ulrich. Recorded in 1990 in Berkeley, California. Recorded in 1988 in Los Angeles, California. Recorded in 1984 in Sausalito, California.Įngineered by Mike Clink and Toby "Rage" Wright. Recorded in 1987 in Los Angeles, California. Track 10 was recorded on December 18th, 1997 during the "Don't Call Us, We'll Call You" radio broadcast on KSJO. Mastered by George Marino at Sterling Sound. Recorded and mixed in September and October, 1998 at The Plant Studios in Sausalito, California (except track 10). Somewhat produced by Bob Rock with Hetfield & Ulrich.Īssisted by Kent Matcke, Leff Lefferts, and Chris Manning.ĭigital Edits by Paul DeCarli and Mike Gillies. On disc 1, "The More I See" ends at 03:23, and after a period of silence there is a short segment of the Robin Trower song "Bridge of Sighs".įront cover photography and of the booklet by Anton Corbijnīack cover photography of original sleeve by Ross HalfinĪdditional photography by Ross Halfin and Mark Leialoha Originally “Whiskey In The Jar” is a traditional Irish folk song, though Metallica’s rendition of it is largely based on the Thin Lizzy version of the song. "Mercyful Fate" is a medley of the songs "Satan's Fall", "Curse of the Pharaohs", "A Corpse Without Soul", "Into the Coven", and "Evil". "Sabbra Cadabra" also covers part of the Black Sabbath song, "A National Acrobat". The album line-up section is the musicians from the newly recorded songs on disc 1. The songs on disc 1 are newly recorded, while disc 2 is gathered from previous recordings. Vocals, Guitars (rhythm), Guitars (lead) (CD1 track 9)Ī collection of cover songs. Too Late, Too Late (Motörhead cover) (live) Stone Dead Forever (Motörhead cover) (live) Loverman (Nick Cave and the Bad Seeds cover)Ĭrash Course in Brain Surgery (Budgie cover) Staying true to the loose and fun vibe, the latter features guests Gary Rossington (Skynyrd), Jerry Cantrell and Sean Kinney (Alice In Chains), John Popper (Blues Traveler), Les Claypool (Primus), Jim Martin (ex-Faith No More) and Pepper Keenan (Down, Corrosion Of Conformity) sharing vocal duties.Free Speech for the Dumb (Discharge cover) All, however, are delivered with a strong Metallica vibe and James Hetfield’s distinct snarl. The raucous “Free Speech For The Dumb” (by UK crust punks Discharge) sets the tone, followed by “It’s Electric” from NWOBHM legends Diamond Head, to whom Metallica quite possibly owe their career for inspiring them to get started in the first place.įollowing up with an homage to the godfathers of metal, Black Sabbath, “Sabbra Cadabra,” and with the bulk of Disc One’s material representing their more familiar influences – “Die, Die My Darling” (Misfits), the titular “Mercyful Fate,” “The More I See” (Discharge again) – it’s reassuringly apparent that the band Metallica had grown into wasn’t a million miles from the teenagers who first got together in 1981.īut it’s Bob Seger’s country-rock paean to touring life, “Turn The Page,” Nick Cave’s “Loverman,” Blue Öyster Cult’s “Astronomy,” Thin Lizzy’s “Whiskey In The Jar” and Lynyrd Skynyrd’s “Tuesday’s Gone” that perhaps gives some perspective to the band’s frame of mind for Load and Reload. The result was a double-album of new covers, along with a clutch of hard-to-come-by B-sides and EP tracks, with Disc One representing the band Metallica had become, and Disc Two getting to the heart of the group. There was just a renewed interest in f_king with some other stuff.” Just shake that off a little bit and come back to something a little looser and a little kind of sillier. But we just did the two Load albums more or less back to back, so it just seemed like a good time to do some, from both a time point of view and a creative point of view. As Lars Ulrich explained to Metal Hammer, “We haven’t really f_ked with cover songs for a while. “There was an interest in f_king with some other stuff”
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